The following brief gives an overview of the mechanisms currently in place to ensure the compensation of artists for the use of their intellectual property. Read the brief here .
This brief reflects upon why there is a growing movement to explicitly recognize artist-run publishing as a public good, a dematerialized art object, a practice of community building, of knowledge sharing, or as a “gift” to readers. Read the brief here .
This brief considers the unstable economics of writing and publishing both within and beyond artist–run culture. In Canada and Quebec, fiction and non-fiction writers must learn to navigate the standard practices of multiple publishing milieus, all the while augmenting this activity with other sources of income. Read the brief here.
This second brief will emphasize the active role that the publisher must play to ensure a connection with immediate and long–term readerships, whether this publisher is an artist–run centre, an independent small press, or the authors/artists themselves. Read the brief here
This is a faceted taxonomy of publishing forms and genres typically used in visual arts publishing. The idea is to show how, in artist-led publishing, the aesthetic choice of form is critical to attracting a public and to facilitating circulation through atypical trade routes. Consult the taxonomy here .
The Grey Guide to Artist–Run Publishing and Circulation is composed of a series of seven briefs written and developed by artist, critic, cultural worker and art librarian Felicity Tayler. Register to our list to receive the bi–weekly e–campaign, from March 1st to June 21, 2017. Here is the introduction
On October 16 and 17, some bibliophiles from the visual arts community met in Vancouver to explore ways we can better connect our publications to audiences. Among the participants were organizations with resources and knowledge that could be mobilized in service of a collaborative, networked dissemination project.
Publications selected in this bibliography establish a dialogue with the book as object or concept, invest it as a platform for diffusion, play with its materiality, or investigate its inherent relationship to language.
This bibliography gathers titles published by Canadian and Québécois artist-run centres, which chronicle their history or important moments of their development. Far from being exhaustive, this bibliography begs to be completed and expanded by readers.
Far from being exhaustive, the present Sélection of Canadian artist-run centres’ publications—many bilingual in French and English, representing mostly the Québec and French Canadian scenes in Canada—presents a cross-section of titles published from 1991 to today. This initiative stems from a desire to revive or re-circulate key texts and documents produced by the network and thereby to shed light on ARCs’ contributions to the development of critical discourses about contemporary art in Canada.